You can find "All Things Are Possible" in the "Latest Solos" page and in the Title and Composer pages.  Also, the lyrics are available here.  Until she arranges a regular distributor, you can request sheet music from her by e-mail, rselkins@fuse.net.
 

Her latest composition is new words to Bach's "Jesu, Joy of Man's Desiring" that should work better than traditional lyrics in the Christian Science church setting.  To encourage Solo Bank users to familiarize themselves with Ms. Siler's work, I will send, on request, PDFs of all 6 of her titles without charge through April 30 of this year.
 

The music was only published in manuscript form and was copyrighted by Mr. Graham personally. He sold the music until his passing, and his wife, Jean, continued the sales briefly thereafter. For the past 20 years, there has been no way to purchase his music, except the few extra originals that I have acquired and have been able to send by postal mail. The copyright has kept me from offering this music as PDFs via e-mail.

Over the years I have expended a lot of effort to track down composers or their heirs in order to request permission to distribute their music. Fortunately, there have been perhaps a dozen cases where this permission was granted. There have also been cases where my research has led me to believe that a copyright has been abandoned by disinterested heirs. Now, I have decided that this is the case for the music of William E. Graham, which has been largely withheld from use by Christian Science churches for the 20+ years since his passing and that of his wife. Accordingly, the 9 compositions by Mr. Graham in the Solo Bank will now be available as PDFs via e-mail. My plan is to add the remaining 3 pieces in the coming months.
 

It wasn't until a Solo Bank user reported difficulty in contacting Ms. Barber that I realized she had disappeared from all traces on the Internet.  I sent many letters and made many phone calls until I was finally able to locate her daughter, who was unaware that her mother (now in an assisted living facility) had ever published music.  The happy ending is that mother and daughter have granted me permission to distribute music from Sacred Classics: 19 Solos for Voice and Keyboard.  Another mystery solved!
 

In his response to my e-mail, he was amazed that his setting of "In Heavenly Love Abiding" had turned up because he had forgotten about it.  He didn't know how to get a copy (legally), suggesting that I write to Paraclete Press.  I just heard from them.

Paraclete Press has authorized me to make 5 copies of this piece without charge.  Furthermore, I have discovered that I can get permission from other publishers to make small numbers of copies for a modest price.  The limitation is that I can't sell these to users of the Solo Bank.  Accordingly, I will note that they are "free solos."  I will print the authorized number of copies and mail them to requestors in the least expensive way possible.  And requestors should not pay me for the service.  It's a clumsy way of distribution in this electronic age, but I'm just glad that many pieces of music, hitherto completely unavailable, can be supplied to those who will appreciate them.
 

With this, another blank in the Solo Bank's source column is filled in.  If you make similar discoveries, please let me know, and I'll pass the information along.
 

I don't have a copy of his "The Christ Is Here," and I need better copies (original or PDF) of "Our Purpose," "The Promised Comforter Is Come," and his setting of MBE's "Love."  Please check your church music library, and if you can, please consider sending me these items.
 

I was completely unaware of this album until I got the cassette. I’ve listened to it at least a half-dozen times in the past week, and to me, it’s delightful. Carolyn wrote the music, with titles like “Old Growth Forest” and “Backroads of Oregon.” She and her brother Roger Kardinal did the vocals, with help from children family members, plus light instrumentation and even sound effects ─ all professionally produced, to my mind. I’d describe the style as folk music, with memorable, frequently toe-tapping melodies. Overall, the songs glorify nature, conservation, and Oregon heritage.

Although the physical media may be hard to acquire, all 12 tracks of the album are on YouTube. You can search for “Carolyn Kardinal” to find them interspersed with recordings of Carolyn’s sacred music. They were posted by someone named Armitage Soulshroude, so the easiest way to access all the tracks is to subscribe to his channel.
 

Initially, Laura told me that as far as she knew, those were the only two songs her mother had written.  Then, a week later, she wrote to say that she had found 3 more settings of MBE poems, copyrighted, but in manuscript form.  She sent them to me, and I was delighted to find that they were as appealing as the two songs I had bought 20 years earlier.

Laura also gave me permission to distribute this music, and now all 5 of her mother's compositions are available and recorded in the Solo Bank.  I'm thrilled that all the work of this inspired and talented composer is now available.
 

The full list of these new songs is in Peter's website at www.pbamusic.com.  Using PayPal, you can purchase the songs individually or the whole collection at once ─ for instant download.  You can also listen to Peter's albums published between 1994 and 2007, and see videos of performances of a number of songs, including a few from this new collection.  And of course you can purchase his earlier vocal works.
 

Carolyn's legacy is her prolific body of work over the past 2 decades:  81 wonderful songs.  Sheet music and accompaniment tracks for all are available from Watchfire Music (www.watchfiremusic.com), and recordings of 80 are available here in the Solo Bank.  Also you can hear Josh Henn sing 8 of her songs on his CD "Open Mine Eyes" available at this link.  Or hear him sing 7 more in his "God So Loved the World" CD, available at this link.

Carolyn wrote so much music that I imagine that no one reading this has heard each of her compositions, so I'm starting a special feature ─ "81 Days of Carolyn Kardinal" ─ one of her songs featured on this site each day until April 3, 2023.
 

For the page with links to this sheet music, click here.  And if you download, please consider leaving a donation in appreciation of The Solo Committee's work.

Finally, a special thanks to Cary Loomis for letting me know about this long-awaited news.
 

I contacted Peter right away and ordered the 4 of his compositions that would work for Sunday morning church.  I sang his "How Silently" (a setting of "O Little Town of Bethlehem") yesterday morning (click here for the recording).  Now I'm looking forward to opportunities to use the remaining 3 pieces I bought and keep track of his forthcoming compositions.

The opportunity came with the January 1 Lesson on "God."  Peter's "Give Thanks to the Lord" couldn't have been more perfect for this Lesson.  Click here for the recording.

You can reach Peter via e-mail at info@peterbcornell.com.
 

There are several more composers who I am trying to locate, and whose music is currently copyrighted.  Their work is rare enough that I don't have extra originals, and PDFs by e-mail are impossible until I can secure permission from them or their heirs or representatives.  Click here for the current list of "the missing." (3/7/22)

Watchfire Music distributes some of Moline's music, but not this piece.  Wordlight Publishing of Bakersfield, CA distributed some of the music of Moline and his collaborator Richard G. Allen, but I'm not sure they're still in business.

I would welcome hearing from anyone who knows who owns the rights to this piece.  That would be a first step toward once again making it publicly available.  (9/3/21)